Cornyation’s Outrageousness Continues Despite Political Headwinds

Satirical political parody performance.

Cornyation’s Outrageousness Continues Despite Political Headwinds

Cornyation’s Outrageousness Continues Despite Political Headwinds

Continuing an inclusive tradition in the face of adversity

In the heart of San Antonio, amidst an unfolding political backdrop, the Cornyation’s audacious tradition prevailed unabated. Since its inception in the 1950s, Cornyation has mocked the pompous pageantry of early Fiesta San Antonio and its coronation of the queen of the Order of the Alamo. The unconventional event, known for its sizzling satire and piquant wit, had to pause for over a decade between 1965 and 1982 due to its highly controversial ‘modernity’.

Pushing back against elitism with their unique flair, Cornyation creates its own vibrant duchesses, empresses, and queens, often portrayed by performers in drag. This vibrant display was detailed in the 2017 book on this tradition by Trinity University Professor Amy Stone. Despite existing in a culturally shifting Texas, the production does not shy away from showcasing LGBTQ+ influences.

A Stage for Controversial Political Themes

Recent political events in Texas have harbored hostility against the LGBTQ+ community. An example of this is Texas Senate Bill 12, a proposed “drag ban”, which threatened to fine event organizers up to $10,000 for “sexually oriented performances” witnessed by anyone under the age of 18. Although Cornyation does not allow anyone under 18 into the show, this law, currently halted by a lawsuit, posed a threat to the beloved production.

Cornyation’s outrageous scripts, devised by Jesse Mata, have not toned down their satirical sizzle despite these legal challenges. Rather, they have audaciously satirized figures like Governor Greg Abbott, and controversial members of Congress like U.S. Rep. Lauren Boebert (R-Colorado) and U.S. Rep. Marjorie Taylor Greene (R-Georgia).

Unwavering in the Face of Obstacles

The organizers of Cornyation, including Ray Sanchez, who aided in the revival of the production, assert that Cornyation is not a drag show but a theater production. This narrative has been maintained even as Amy Stone’s book on Cornyation wasn’t sold in the official Fiesta store, despite Cornyation being an official Fiesta event.

Cornyation’s historical significance as a platform for representation and community, particularly within the LGBTQ+ community and marginalized groups, cannot be understated. Their inclusive spirit contrasted the exclusive nature of the original Fiesta and showcased diversity in the heart of San Antonio.

This spirit has persevered, even after a two-year hiatus due to the COVID-19 pandemic. Mindy Miller Hill, a master of ceremonies this year, shared that the community surrounding Cornyation has grown closer in these challenging times. The event’s contribution goes beyond its audacious satire, with proceeds supporting local organizations like the San Antonio AIDS Foundation, BEAT Aids, and Thrive Youth Center.

Despite political headwinds and societal shifts, Cornyation remains a beacon of inclusivity, representation, and unfiltered satire, continuing to bring outrageousness and a unique sense of belonging to San Antonio’s vibrant community.


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